Copyright: It's your body of content. Don't let people use it without permission.

I wanted to share a recent press release from the Association of American Publishers. Most publishers, including Harlequin, are members, and I am on the board.

The AAP wrestles with many issues that impact publishers, but the rights of the copyright holders to control their information—both in terms of freedom of speech/challenging censorship, as well as against misuse and piracy—are big issues.

Publishers Announce Agreements with Universities on New Copyright Guidelines for Course Content in Digital Formats

Three universities—Hofstra, Syracuse and Marquette—have reached agreement with the AAP on new copyright guidelines affirming that educational content delivered to students in digital formats should be treated under the same copyright principles that apply to printed materials.

Announced on January 17, the guidelines, which were developed separately by the three universities, govern how librarians and faculty members distribute copyrighted content through library electronic course reserves systems, course management systems, faculty and departmental web pages and other digital formats.

AAP worked with each of the three universities in cooperative efforts to establish easily understood and commonsense standards that help faculty and staff understand and interpret their rights and responsibilities when using copyrighted content in educational settings. Each of the guidelines reflects the specific needs of the particular university and is consistent with the principles of fair use while providing helpful guidance as to when permission from the copyright holder is required to copy or post materials in digital formats. AAP believes the guidelines, which are similar to those adopted by Cornell University last year, will serve as models for others colleges and universities.

In the last two years AAP has initiated discussions with a number of universities after observing that unlicensed digital copies of course materials were gradually replacing the licensed physical copying of articles, book chapters and other copyrighted works. While it is well established that physical copying of materials for distribution to multiple students, often in compilations known as coursepacks, generally requires permission from the copyright holder, faculty and staff seem less aware that permission is similarly required for distribution of electronic copies of such copyrighted materials. The new guidelines at each university clarify that the use of copyrighted works in digital formats requires such permission.

To view the copyright guidelines, go to:

Hofstra
Syracuse
Marquette

Now you'd think asking universities—asking anyone—to treat making and disseminating digital copies of copyrighted material in the same way paper photocopies of the same amount of material would be treated would be a no-brainer, wouldn't you? i.e. you'd need the same permissions—a process with an established protocol at Universities (established, I have to add, after a lawsuit some years ago, but in place for over a decade).

Unfortunately not.

I applaud Cornell, Hofstra, Syracuse and Marquette for taking a stand. It is the right thing to do, but they won't get universal accolades.

So why should we care that some professors are cheerfully doing their fellow professors out of any income from their scholarly work, now being read gratis on line? In fact some of us may be thankful, for the generous 'cost savings' those schools are passing on to parents and students from this practice.

Well, if you are generating income from being a storyteller, it is of collective concern that not only is a new generation being raised to think anything digital should be free and that copyright theft is acceptable by their peers—they are hearing it from their teachers and parents. Not good.

So your ox may not be getting gored right now, but just wait! If any part of your livelihood is based on copyright—as a writer, reader, publisher—and you don't support the principal of copyright protection in how you live, how you raise your kids, how you value other's work, consider the consequences. Please.

I do wonder what will happen when these kids actually need to make money from their work—will the 'everything should be free' tune change? Or will they just continue to live with their parents during their creative phase? Or will we see a dearth of new artists, because they can't make any income from their creative work? Will only those creative self marketers survive? Interesting....

In fairness the system for determining and acquiring rights is cumbersome and needs a major overhaul. Also many copyright holders and businesses have chosen to make their material available gratis for many reasons.

That is their choice. I believe the content creator or rights holder should be able to have that choice. It's your body of content. Don't let people use it without permission.

Today is Category Romance Day @ Romance Novel TV

Thursday, January 17th--today!--Romance Novel TV will be devoting the day to category romances.

They have special Guest Blogger, Jane Litte, from Dear Author and a new video segment featuring the Smart Bitches, Trashy Books .

It’s all about how much they love category romances and what Harlequin has done for the genre. So check it out, stop by and comment.

See you there!

Moment of Joy....

The Briton Arrives!

Joan Marlow Golan, executive editor of Steeple Hill, just shared a lovely story from author Catherine Palmer. She sent the above photo with a note to Joan, and her agent, Karen Solem.

I thought you might want to see this photo of Tim and me moments after we opened the box containing our copies of The Briton. Even now, we are still in a bit of a daze that the manuscript which sat in our closet (and moved from house to house with us) for 25 long years is now in print and available now!

When I finished the original draft (in longhand in 4 college-ruled notebooks), Tim purchased the very first kind of Macintosh computer ever made. It cost a fortune, and we were as poor as church mice. Tim said, "This book is the best thing we have going for us," and he backed up his statement with the outlay of money for that computer.

I wrote so many books on that little tan machine with its dot-matrix printer. The Briton won enough contests that Pat Teal wanted to work as an agent with me and many editors looked at that manuscript and others.

Finally I began to sell, but God had His own timing for The Briton. I'm glad He saved it until I had been writing so many years and had the skill to reshape it. Tim also played an essential part in the book -- supporting my writing of it and editing the content countless times in various incarnations through the years.

I'm delighted Karen was my agent. I'm pleased I was in the Christian market when it sold. And I'm thrilled He chose Steeple Hill as its publisher.

Many thanks to both of you for making this dream come true.

Love and blessings,

Cathy


Sharing the moment with Tessie! -- Catherine and Tim Palmer

We each have our own path before us, filled with challenges and setbacks, of facing the unexpected and disappointments. How truly delightful it is to have a moment of joy--and to be able to share it.

The Briton by Catherine Palmer is available now from eHarlequin.com or other on or off-line bookstores.

Congratulations to...Tara Parsons!

Editor Tara shared that after 40 long weeks (and one false alarm) Hunter Townsend Eggert has finally made his appearance! Born: 12.24.07.

tara, mark & hunter


Thanks to word from Margo Lipschultz mother and child are doing well, and young Hunter already has his own e-mail address!