Saturday, October 31, 2009

- Happy Halloween!

Strolling through the neighborhood, the decorations were impressive and I wanted to share them with you. As I looked at the houses, I realized the focus was on setting the tone, first impressions--just like the opening of a story.

While some of these entryways may over promise in terms of delivering something similar inside, don't you just want to check it out?

Here this real estate agent is clearly calling attention to the key element they want you to focus on (Yes, the agent's name really is Bubes. Perhaps it's pronounced in a special way):

1528 31st St.jpg

Here a daunting uphill climb is accompanied by ghosts and an organist, luring you to the top...

3132 Q St.jpg

It's all about the entry way:

1603 31 #2.jpg

Step right in...

1227 31st St.jpg

Where are you going, and what makes you want to go there?

1315 31.jpg

This was the "piece of resistance" (never have been able to understand how that phrase works in French--shouldn't it be irresistible?). Quite an entrance, isn't it? I like the skeletal remains on the pathway.  The witch is almost too scary...

3013 Q #1.jpg

And here there's room for some added support (don't they look like a ghostly version of Rodin's The Burghers of Calais?), directing you too that compelling opening. Nice, eh?

3013 Q #2.jpg

If your story were a house, would you want to go inside? What does the entry way look like?

Monday, September 21, 2009

- Have you seen Julie and Julia?

Turns out there's a story behind the story (OK, when isn't there?).

Apparently Streep had encountered Childs some years ago when seeking Childs' endorsement and support to back one of Streep's 'we are being poisoned by food' agendas, which Julia (who seems to feel that most anything in moderation is fine ) was utterly uninterested in.

Childs was also vehemently against the scare tactics and fear mongering utilized by purveyors of these agendas. That seems to have annoyed Streep, who made some accusations in a recent UK Telegraph article about Julia and the American Council for Science and Health.

So then the ACSH had to weigh in. You'll find Dr. Whelan’s response to the Meryl Streep interview here.

Don't you love getting a glimpse of the complexities of human relationships, the occasional myopia of personal agendas, and general (IMHO) lack of common sense? It does make me appreciate and strive for a measured assessment of information.

Despite her personal differences, Streep offered a lovely redition of Julia, a woman with a delightful joi de vivre. I really enjoyed the film, and if you have a chance next time you're in Washington, D.C. go to the Smithsonian's Museum of American History and visit Julia Childs' kitchen.

Bon Appetit!

Monday, August 31, 2009

- Favorite Things: Alfi

I had dinner last night with friends & discovered there were avid tea drinkers among them, so I made them a pot of tea and expounded on my love for my Alfi. That made me realize I should share my delight with other potentially like-minded souls!

First, let me position my tea drinking habit: I am a tea philistine. I like black tea, fairly dark, with a lot of milk and sugar. My needs and requirement are simple and unrefined. I just like the taste. I do not worry about whether the water is boiling, just under, or whatever temperature releases (or does not release) unattractive tannins. Whatever! For me the issue is simply: does the water turn dark enough and if I put a lot of milk in it, does it stay hot enough (but not too hot) to sip and enjoy immediately?

Like a baby gosling, I am imprinted on Twining's Earl Grey blend as my tea of choice, but I've been willing to branch out--Bigelow's English Teatime, Twining's Irish Breakfast & have even liked some loose teas: Red Blossom's Keemun and their Hunan Black are in my cupboard

So why do I think this Alfi is great? Well, in general, I make myself a pot in the morning & then drink it throughout the day. I used to have various tea cosies to fit various tea pots to try to keep it warm, etc. but by the third cup, I needed a microwave to warm it up. Yes, I have done it and lived to tell the tale. If you microwave with the milk in, you don't have to do it as long & usually it tastes OK to me.

But this Alfi has an internal glass thermos with a sealed lid that opens and pours with a finger press. It keeps that pot of tea (without a stained tea cosy) beautifully hot and drinkable for a very long time. Even if you're a more refined tea drinker (or even a coffee drinker who may not care for having the coffee pot sit on the heater for hours) I think you'll find the Alfi a highly useful and lovely addition to your life.

I still use my tea pots for loose tea, but the Alfi is my pot of choice for tea bags. I only use one tea bag per pot and get about three mugs of tea per pot. And it's very cute! Once I realized how wonderful the Alfi was, I ordered 10 more to be sure I had one in every house I spent time in (that is I gave them as Christmas presents to all close family and friends...).

My handy plug-in Capresso water boiler (pictured on the right) was used it in my office, but I've migrated one use at home as well, so I never have to worry about forgetting water on the stove. In my office, an Alfi, a water boiler, a small refrigerator for milk, a supply of sugar, spoon and mug and I never needed to go to the kitchen.

Here is one of my Alfis at home. It's sitting on a tile my husband bought me when he went to the Taj Mahal. Nothing's too good for my Alfi....

Alfi.jpg


I am not (alas) getting any kickbacks from Alfi on this. The information shared is solely to let you know about what I think is a great product that may meet your needs.

Drink up!

Thursday, August 20, 2009

Audio-visual Resources Expand Understanding of Google Book Search Settlement

Much has been written about the Google Book Search Settlement. For those who want a better understanding of the Settlement but are a bit print-weary, audio-visual resources have become available in recent weeks that can clarify and expand that understanding.

For a general overview of Google Books and the Settlement on YouTube click here .

For a better understanding of the role of the Settlement in leveling the educational playing field for minority students and students with disabilities click here

For a discussion of what the Settlement means for publishers click here. There's information on a webinar below too.

I have to note that I do get irritated at those that trumpet "all content should be free." Hey, I'm sure we'd all like everything to be free! But if someone started announcing that all lawyers should work for free, or all milk should be free, we'd see the absurdity of that statement! Why can't they acknowledge the same value for Intellectual Property (IP) or the written material many sweat blood to create.

Not only do some feel their work has actual value, but they need to make a living at their work--and writing is work indeed. They also believe the creator or copyright holder ought to have some control over the material.

If you haven't guessed by now, I want this settlement to go through in order to ensure authors and publishers are offered some protection and to help ensure copyright is respected. As I said in a previous post, while the settlement is not perfect, it's an important first step. It literally took years, and involved a group of very smart, committed representatives for authors, publishers and a global search engine. I don't see anyone raising their hand to do better.

Without the settlement, we remain in a lawless frontier, and the implications would be devastating for copyright in the digital arena. There are a lot of people who can benefit from a state of anarchy, but it's time for content creators and those that value content to draw a line in the sand.

As noted previously, if you'd like to learn more about the settlement, you can also check out the information on the Author's Guild and the Association of American Publisher's websites.

But there's also a recent Webinar hosted by Publisher's Weekly you can access. Go to www.PublishersWeekly.com, click on "Tools" to the far right of the top navibar, then Webcasts and register for the webcast:
Google Library Project Settlement: What It Means for Publishers (or just click on the link!).

You will be able to access the webcast archive for one year following the initial webcast.

Description of the Webinar:

In a webinar first, the leaders involved with the crafting of the Google Library Project Settlement will share with the publishing industry the benefits of the agreement for publishers and authors. If approved by the Court in October, the agreement will create one of the most far-reaching intellectual, cultural, and commercial platforms for access to digital books for the reading public, while granting publishers unprecedented opportunities and protections. Presented in collaboration with Google, The Association of American Publishers, and Publishers Weekly, the web session is a must-attend event.

PANELISTS
Richard Sarnoff, Co-Chair, Bertelsmann, Inc., AAP Board of Directors
John Sargent, Chief Executive Officer, Macmillan, AAP Board of Directors
Jan Constantine, General Counsel, Author's Guild
James Gleick, Author
Michael Healy, Executive Director Designate, Book Rights Registry

MODERATOR
Jim Milliot, News Director, Publishers Weekly

Thanks for listening! I think it's important.

Friday, July 31, 2009

Take the PW Survey - Listen to the Google Book Settlement & Webinar

Yes, it's the Google Book Settlement again.

With a September 4th deadline looming to opt out of or object to the Google Book Search Settlement, Publishers Weekly is conducting a survey designed to gather a broad view of how the Settlement is being viewed.

Could you to take a few minutes to answer this brief, targeted questionnaire? PW wants to gauge industry opinion. Note that you don't have to have standing in the suit to participate in the survey. It should take just a few minutes.

Of course, some of us who feel strongly about the compelling need for this settlement to go through in order to ensure authors and publishers are offered some protection and ensure copyright is respected may take longer filling it out!

As I said in a previous post, while the settlement is not perfect, it's an important first step. It literally took years, and involved a group of very smart, committed representatives for authors, publishers and a global search engine. I don't see anyone raising their hand to do better.

Without the settlement, we remain in a lawless frontier, and the implications would be devastating for copyright in the digital arena. There are a lot of people who can benefit from a state of anarchy, but it's time for content creators and those that value content to draw a line in the sand.

Please click here when you are ready to take the survey. (if necessary, the address to cut and paste is: www.zoomerang.com/Survey/?p=WEB229EB66ZEQ5)

Results of the survey will be shared in the August 24th issue of PW. If you have questions or comments about the survey, please contact Laura Girmscheid, PW Research Manager at lgirmscheid@reedbusiness.com.

If you'd like to learn more about the settlement, you can check out the information on the Author's Guild and the Association of American Publisher's websites. But there's also a recent Webinar hosted by Publisher's Weekly you can access. Go to www.PublishersWeekly.com, click on "Tools" to the far right of the top navibar, then Webcasts and register for the webcast:
Google Library Project Settlement: What It Means for Publishers (or just click on the link!).

You will be able to access the webcast archive for one year following the initial webcast.

Description of the Webinar:

In a webinar first, the leaders involved with the crafting of the Google Library Project Settlement will share with the publishing industry the benefits of the agreement for publishers and authors. If approved by the Court in October, the agreement will create one of the most far-reaching intellectual, cultural, and commercial platforms for access to digital books for the reading public, while granting publishers unprecedented opportunities and protections. Presented in collaboration with Google, The Association of American Publishers, and Publishers Weekly, the web session is a must-attend event.

PANELISTS
Richard Sarnoff, Co-Chair, Bertelsmann, Inc., AAP Board of Directors
John Sargent, Chief Executive Officer, Macmillan, AAP Board of Directors
Jan Constantine, General Counsel, Author's Guild
James Gleick, Author
Michael Healy, Executive Director Designate, Book Rights Registry

MODERATOR
Jim Milliot, News Director, Publishers Weekly

Thanks for listening! I think it's important.

Saturday, July 18, 2009

Harelquin Teen: The Next Big Thing--Launching August 2009

I wanted to update you and share information about the launch of Harlequin Teen. You can click on the Harlequin Teen link & see the information about the line, with text and pictures. I've also have included the text and links below.

And you can check out www.Harlequinteen.com as well. There's information there on the Harlequin Teen Panel as well as their Twitter address. Additionally, there's an article in on the program in USA Today and another one in the Shreveport Times, FYI.

Here's the info:

Introducing Harlequin Teen, the home of exciting, authentic fiction for every young reader who loves to escape beneath the covers of a great read.

The current market for teen fiction is incredibly exciting — Stephenie Meyer's Twilight series being the tip of a huge iceberg. With its selection of heart-pounding, edgy stories from established authors and fresh new voices, Harlequin Teen is poised to capture a significant portion of that growing audience. Our range of genres will include everything today's young readers embrace — contemporary, paranormal, fantasy, sci-fi and historical.

MY SOUL TO TAKE
by Rachel Vincent
On sale Aug. '09
Learn more

Praise for My Soul to Take:

“Harlequin Teen's debut series, Soul Screamers, starts off with a bang. Plenty of paranormal thrills, mystery and sexy first-base-only romance. Twilight fans will love it.”
—Kirkus Reviews

“Folklore, mystery, and romance swirl together in a story unlike any other out there. I thoroughly enjoyed it. A wonderful treat!”
—Melissa Marr, NYT bestselling author of Wicked Lovely

“My Soul To Take is yet another fine young adult novel with tremendous appeal, intelligence, engaging characters and a good premise a little off the beaten path. I think readers of all ages will enjoy this series.”
—SciFiGuy.ca


“The twists and turns are intriguing, and form an engrossing read. A truly outstanding novel, it’ll be a hard act to follow but one to watch.”
—Tez Says, at tezmilleroz.wordpress.com

INTERTWINED
by Gena Showalter
On sale Sept. '09
Learn more

Praise for Intertwined:

“I couldn’t put it down!”
—P.C. Cast, #1 USA Today and New York Times bestselling author of the House of Night series

“Once I started reading this book, I couldn’t stop. Amazing!”
—Kristen Cast, #1 USA Today and New York Times bestselling author of the House of Night series

“Each and every one of us hides bits and pieces of ourselves away and Intertwined dives into these inner workings and pains that teens go through. It is a story that any teen can relate to. I know I did.”
—Publishers Weekly teen review, Bekah age 17

“I cannot wait until the next book comes out, and not just because of the cliffhanger last page. I hope it turns out just as intense, unputdownable, and unpredictable as Intertwined was.”
—inthecurrent.blogspot.com

There! Now you know....

Wednesday, June 24, 2009

My Body of Content, My Choice

Many of you have heard of the suit the Association of American Publishers and the Author's Guild (a class action suit) brought against Google in response to Google's plans to digitize copyrighted content without the copyright holder's permission. Google additionally gives a complete digital copy to the libraries from whom they were getting the content, to do with what they wanted.

While Google said they were only planning on using "snippets" (not a legally defined quantity, so it's whatever they decide) to aid in search, and felt that the open wording of Fair Use would cover them in making entire copies of protected material, Publishers and the Author's Guild did not agree. Both Publishers and the Author's Guild felt that anyone making a full copy of a copyrighted work should ask the copyright holder's permission.

After two years of negotiation, a Settlement was reached, which you also may also have heard about. The Settlement has been delayed and there will be fairness hearings on October 7th. Now it seems that everyone and their kitchen sink is weighing in with issues, and the settlement may not go through. That would not be good news, in my opinion. While the settlement is by no means perfect, it's a start. Without it, content creators and publishers are left very vulnerable on the digital frontier.

And it is literally a frontier. To continue the metaphor, settlers are going out in their covered wagons, putting stakes in the ground, claiming the open land. It's not an easy life, and initially, fortune seems to favor lawlessness. But once enough people move out there, laws become increasingly important to be able to survive and thrive as a society. You've seen the movies–it's a challenging process, but respecting property and creating and abiding by a rule of law is a key next step. That's what needs to happen on the digital frontier, and the settlement is a great first step.

The settlement needs advocates–authors, publishers, content creators of all kinds–to counter the 'all digital content should be free and accessible to all' voices, also the 'I'm a competitor of Google and I don't want them to get anything' guys with deep pockets. I'm sure there are more--and likely more compellingly presented–arguments! They may have some valid points.

But if they succeed in blocking the settlement, they sure aren't replacing it with anything better. We're just back to the frontier, where having copyright will not protect your content from being fully digitized by anyone (Google, Microsoft, Jane Doe, whoever). It will be used as they see fit, banking on the ambiguity of Fair Use to protect them until something is so egregious, someone sues them. Is this sounding familiar?

For those that don't see the problem of making a full digital copy, here is my metaphor: If I want to show (or not show) parts of my body to the public–maybe I wear a short skirt, or maybe I wear a scarf, or maybe I go topless in a particular place–that's my choice. But to those that want to take a full body scan of all of me–yes, EVEN if you promise you'll only show little bits, even if it's for medical reasons–you have to ask me. My body of content, my choice.

John Sargent, an AAP member, was featured in an interview in the June 8th issue of Publishers Weekly (Sargent Makes the Case). Additionally, Tom Allen, the new CEO of the AAP had a recent op-ed in Publisher's Weekly.

In recent days some strong arguments in favor of the Settlement have also appeared in print from individuals who are not party to the Settlement. Reuter's financial columnist Mark Gimien has a recent piece "In Defense of Google Books" which describes the benefits and goes on to debunk some of the myths that have been circulating with great clarity and is well worth reading.

Another is a letter to the Financial Times "Booklovers should cheer Google’s plan" from David Balto, a Senior Fellow at the Center for American Progress and former Policy Director of the Federal Trade Commission. These should offer a better understanding of what’s at stake.

I also wanted to include some broad information about the Settlement and why it seems a very positive step. Take a moment to review the points. Romance may not be on the front lines of what is at issue, but the principal affects us all, and we need to stand together:


Millions of copyright-protected books are out of print and largely out of reach, available only through the largest research libraries in the country. The Google Book Settlement announced in October 2008–the result of 30 months of negotiations between and among authors, publishers, university libraries and Google–changes all that, working a revolution in the access to knowledge. If approved by the court, the settlement will:

• Provide readers and researchers with access to millions of out-of-print books, many of which are currently difficult or impossible for readers to obtain, in a searchable online database.

• Turn every public library building in the U.S. into a world-class research facility by providing free access to the online portal of out-of-print books.

• Permit any college or university in the U.S. to subscribe to the same rich database of out-of-print books.

• Give new commercial life to millions of books, while protecting the economic rights of authors and publishers.

If not approved by the court, the litigation between AAP, the Authors Guild and Google may continue for years, and with a great risk that authors and publishers will have no effective means to stop the widespread use of copyrighted material that is likely to follow.


I. Benefits for Readers and Researchers

The settlement unlocks a vast archive of out-of-print books, providing readers and researchers with far greater access to books than ever before.

Access at your public library. The settlement turns every library into a world-class research facility, by offering every public library building in the U.S.–all 16,500 of them–a free online portal to millions of out-of-print books.

Access at colleges and universities. The settlement offers students and teachers in even the smallest and most remote American colleges and universities access, through institutional subscriptions, to millions of books previously available only in the largest academic libraries in the country. Faculty members and students will be able to tap into this library from their offices and dorm rooms.

Access at your computer. Anyone online in the U.S. will have free “preview” access to hundreds of millions of pages of text (up to 20% of each book). Review hundreds of accounts of the Battle of Vicksburg, or of the beginnings of the Industrial Revolution, or of the sources and interpretation of Moby Dick, at no charge. Find one book particularly compelling? Buy access to the entire book. Access to public domain books is free, of course, and authors controlling the rights to their books can choose to give away access for free.

II. Benefits for Authors and Publishers

Out of print books have value, but that value is lost to the market and to authors and publishers. The settlement breathes new commercial life into out-of-print books, while leaving the existing market for in-print books alone.

Find new readers. Out-of-print books need no longer be relegated to the used book market. The settlement will make out-of-print works available to hundreds of millions of readers, through ad-supported previews, sales of online editions, and institutional subscriptions. If a book catches on, there will be sales data to prove it, which may create an opportunity to bring the work back into print in traditional form.

In-print books are unaffected. A cardinal rule in the negotiations was not to disturb the market for in-print books. Titles that are in print won’t be made available through any of the means described in the settlement, unless the author and publisher expressly want them to be.

A Book Rights Registry to protect rightsholders. A non-profit registry governed by authors and publishers will oversee the settlement on their behalf, to help make sure rightsholders receive the benefits they’re entitled to. (Sign up for the Registry by filing a claim at googlebooksettlement.com.)

A fair share of revenues. 63% of gross revenues go to authors and publishers; Google keeps 37%. Funds will be paid to the Book Rights Registry, which will pay authors and publishers after retaining a modest administrative fee. If rights have reverted to authors, they will receive 100% of the rightsholder revenue.

Unprecedented control for authors and publishers. Authors and publishers will manage their rights through an account management page at the Book Rights Registry. Authors who control rights to their works, for example, may choose to allow Google to display ad-supported previews of books, sell online editions (authors may set the price or let an algorithm do it for them), and license the work to colleges and universities, or they may choose to block all display uses. Authors can change their minds, at any time, with reasonable notice. What if a book comes back into traditional print? The rightsholder can then simply turn off all display uses, if it chooses, and permit the publisher to sell the work through standard retail outlets.

Authors’ estates, too. Authors’ estates exercise the same rights as authors.

At least $45 million in payments for unauthorized scanning. Any of Google’s digitizing of in-copyright books done before May 5, 2009 is considered unauthorized under the settlement. Google will pay to obtain a release of these copyright infringement claims. Under the settlement, Google will pay at least $60 and as much as $300 to rightsholders for each book that it scanned without authority, for a total payment to rightsholders of at least $45 million.

III. Benefits for All

Viable Market. The settlement creates a viable economic structure for a new digital market of on-line access to out-of-print and lesser known works.

Encourages competition. The settlement encourages competition by making non-exclusive all the rights granted to Google in the Agreement and by empowering the Book Rights Registry to negotiate arrangements with Google’s competitors.

Well, if you've gotten this far, congratulations and thank you! I want to continue to inform and clarify this issue for the community. We need educated advocates to support this important step.